A Spiritual typically considered to be associated with New Orleans, LA culture. The prayerful lyric of: “Oh Lord, I wanna be in that ‘number’ (dance, song), when the saints go marching in (to heaven on the Christian religion’s ‘judgement day’).” Usually associated with the early jazz music called “Dixieland.” E-Z
Tag Archives | fiddle
It Don’t Mean a Thing (if it ain’t got that swing)
By fiddlejamman on March 14, 2013 in Artist Level, Bb major, By Ear, By Feeling, By Key, By Knowledge, By Scale, Fiddler’s Tab, G minor, Gigger Level, Gypsy Jazz Violin, Harmonic Minor Scale, Jamming 102, jamming 103, Jazz, Lesson List, Major Scale, Master Class, Music Mechanics, Note Name – Finger Number, One-Room-School-House ORSH, Staff Notation, Style Studies
Famous song, written in 1931 by Duke Ellington (music) and Irving Mills (lyrics). Recorded by too many to mention here. Often played in the gypsy jazz style. Sounds fun and easy with it’s “do wop” sing-along anthem, but can actually be rather difficult to solo over. I’ll attempt, in typical
Gypsy Jazz – Section
By fiddlejamman on March 13, 2013 in Artist Level, By Knowledge, Gigger Level, Gypsy Jazz Violin, Jamming 102, jamming 103, Jazz, Lesson List, Section/Title Pages, Style Studies
Gypsy Jazz is a style of music that was first developed in the Paris, France area by gypsy guitarist Django Reinhardt and his side-kick violinist Stephane Grappelli in the 1930’s and 40’s. Gypsy Jazz, sometimes called “Hot Club” music after Django & Stephane’s original group “The Quintet of the Hot
Gypsy Sound – Anatomy
By fiddlejamman on March 11, 2013 in A minor, By Ear, By Knowledge, By Sight, D minor, E minor, Fiddler’s Tab, G minor, Gigger Level, Gypsy Jazz Violin, Harmonic Minor Scale, Jammer Level, Jamming 101, Jamming 102, Jazz, Lesson List, Music History, Note Name – Finger Number, One-Room-School-House ORSH, Staff Notation, Style Studies
The anatomy of the gypsy sound is characterized by the Harmonic Minor Scale. Classically trained violinists will probably already know this scale well, but if you are a fiddler, or just used to jamming to rock and blues based music, as I myself was at one time, then this
Shattered Silence 6 string violin demo
Check out this 6 string home-made low-budget “Frankenstein” violin! Named by one of the students at a Fiddle Jam Clinic… he thought is would mirror what I was trying to teach… that of breaking the “rules” and breaking the “mold” and traditions in the violin world… Want to learn more about
Harmonic Squeal Faux Feedback Technique
By fiddlejamman on March 5, 2013 in Artist Level, By Ear, By Feeling, By Knowledge, Gigger Level, Jammer Level, Jamming 101, Jamming 102, jamming 103, Jamming 104, Lesson List, Rock, Vibrato, VioTek
If you have been alive on this planet, anytime in the last 50 years or so, for sure, somewhere, you have heard an iconic wailing electric guitar hold out a long sustained note that breaks into a high squealing sound as the guitarist masterfully moves closer to the amplifier and
Beethoven Minuet in G
By fiddlejamman on March 1, 2013 in Artist Level, Blues, Blues Scale, By Ear, By Key, By Scale, By Sight, Cajun-Zydeco, Cornerstone Styles, FItz-Hu-Ki, G major, Gigger Level, Jammer Level, Jamming 101, Jamming 102, jamming 103, Lesson List, Major Scale, Music History, Music Mechanics, Music Philosophy, One-Room-School-House ORSH, Rock, Staff Notation, Style Studies
One of the most BLUESY melodies Beethoven ever composed! It always sounds half drunken to me with all those 1/2 step wobbles… so, I decided it might be cool to give it a bluesy back-up, in this example, a cajun/zydeco effected accordion, played by my friend Michael Ward-Bergman and some