Description: a “Gigger” level 102 lesson… I’ve found this one especially helpful for students who have jammed for a bit and are in need of deepening their listening skills, or developing “Big Ears” as it is sometimes called in the biz. Awareness of the overall flow and movement of the
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Stormy Monday Blues by T-Bone Walker
By fiddlejamman on July 31, 2013 in Blues, Blues Scale, By Ear, By Feeling, By Knowledge, Cornerstone Styles, Fiddler’s Tab, G major, G minor, Jamming 101, Jamming 102, Lesson List, Note Name – Finger Number, One-Room-School-House ORSH, Rock, Staff Notation, Style Studies
Stormy Monday by T-Bone Walker Here’s a classic slow blues tune, that has become a “standard” for Blues bands around the world, written by T-Bone Walker in 1947 and covered by Eric Clapton, BB King, and countless others, the most famous of which is probably the Allman Brother’s Band on
Wagon Wheel – Old Crow Medicine Show
By fiddlejamman on July 14, 2013 in A major, By Ear, By Feeling, By Knowledge, Country, Fiddler’s Tab, Folk Fiddle, Gigger Level, Lesson List, Major Pentatonic Scale, Music Mechanics, Note Name – Finger Number, Old Time Fiddle, One-Room-School-House ORSH, Staff Notation, Style Studies
Lesson description: I get a lot of requests from my private students for the fiddle intro to this popular song. Originally written and recorded by the iconic Bob Dylan, the band “Old Crow Medicine Show” has had a hit with the song, and their’s is the version we will be
Jammin’ by Bob Marley
By fiddlejamman on June 30, 2013 in B minor, Blues Scale, By Ear, By Feeling, By Knowledge, Fiddler’s Tab, Isms, Skisms & Hybrids, Jamming 101, Jamming 102, jamming 103, Lesson List, Minor Pentatonic Scale, Minor Scale, Note Name – Finger Number, One-Room-School-House ORSH, Reggae violin, Rock, Staff Notation, Style Studies
Here’s an iconic Reggae rock tune by Bob Marley. I’ve kind of consolidated the melody into an EZ repeatable version for you here. I at first tried to transcribe Marley’s exact vocal performance (which was very time consuming as, in the loose Reggae way, he did not sing a single
Tatering level 3 – chord tone double stops
By fiddlejamman on June 4, 2013 in “Tater”, A-toodz Level 3, Artist Level, Bluegrass Fiddle, Blues, By Ear, By Feeling, By Knowledge, By Sight, C major, Cajun-Zydeco, Cornerstone Styles, Country, Fiddler’s Tab, Folk Fiddle, G major, Gigger Level, Isms, Skisms & Hybrids, Jamming 102, jamming 103, Lesson List, Major Pentatonic Scale, Major Scale, Memphis Country Blues, MixoBluesian Scale, Mixolydian Mode, Music Mechanics, Note Name – Finger Number, Old Time Fiddle, One-Room-School-House ORSH, Rock, Section/Title Pages, Staff Notation, Style Studies, Swamp Fiddle
Level 3 is a bit more tricky, technically speaking. This involves including other notes from the chords as they pass in a progression… not just necessarily the tonic (name of chord) and it’s fifth anymore. This means that you’ll have to learn some (simple don’t worry) Music Theory or Music
Musical Priest – Irish/Celtic tune
By fiddlejamman on May 27, 2013 in “Tater”, Aeolian Mode, B minor, BowTek, By Ear, By Feeling, By Knowledge, By Sight, Celtic-Irish-Fiddle, Cornerstone Styles, Country, Fiddle Tunes, Fiddler’s Tab, Gigger Level, Isms, Skisms & Hybrids, Jamming 102, Lesson List, Master Class, Minor Scale, Music Mechanics, Note Name – Finger Number, One-Room-School-House ORSH, Staff Notation, Style Studies, The Chop, VioTek
Being a metaphysically oriented guy, I kind of think of myself as always aspiring to be a musical priest of sorts. A priest of jamming! ;~) This tune caught my eye, just for its title at first, but I’ve grow to love it. My students seem to like it
Simone Jamming with the A Major Scale!
By kumquat on April 23, 2013 in A major, Beyond the Book, Bulletin Board, By Ear, By Feeling, By Knowledge, Fiddle Jam, Founder’s Blog, Ionian Mode, Jammer Level, Jamming 101, Lesson List, Major Scale, New Jam lessons, One-Room-School-House ORSH
Geoff on piano, Simone (age 6) on violin, brother Sandore (age 3) dancing and announcing the sad/happy sections he had requested. Simone is using the A major scale. Notice her great sense of phrasing! This kind of thing is common in my private lessons, and typifies the Fiddle Jam Approach.