Classic Jazz tune from 1925 that is covered in all kinds of jazz settings from ragtime to modern jazz & lounge groups. I will especially focus on this song in the Gypsy Jazz style. Here’s the melody and chord chart to get us started. There have been many, many interpretations
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AC/DC – an educational homerun!
Teachers! Check it out! how I got a troublesome student attentive and involved by teaching her this iconic Rock song!… Non-members: Want to learn more about this and other Fiddle Jammin’ topics? Click here for more info on our free Fiddle Jam Club membership and “ALL ACCESS PASS” full Fiddle
It Don’t Mean a Thing (if it ain’t got that swing)
Famous song, written in 1931 by Duke Ellington (music) and Irving Mills (lyrics). Recorded by too many to mention here. Often played in the gypsy jazz style. Sounds fun and easy with it’s “do wop” sing-along anthem, but can actually be rather difficult to solo over. I’ll attempt, in typical
Gypsy Sound – Anatomy
The anatomy of the gypsy sound is characterized by the Harmonic Minor Scale. Classically trained violinists will probably already know this scale well, but if you are a fiddler, or just used to jamming to rock and blues based music, as I myself was at one time, then this
Beethoven Minuet in G
One of the most BLUESY melodies Beethoven ever composed! It always sounds half drunken to me with all those 1/2 step wobbles… so, I decided it might be cool to give it a bluesy back-up, in this example, a cajun/zydeco effected accordion, played by my friend Michael Ward-Bergman and some
Amazing Grace
Description: This very popular Christian spiritual tune* has crossed many style boundaries. Countless students have requested it from me over the years. I’ll include it here. I’ve included it here in two separate but popular and fiddle-friendly keys: G & A. The G version is lower and sweeter sounding, and
Shave Endings
”Shave and a Hair Cut… Two Bits!” History & Culture: Ubiquitous traditional fiddle tune ending… and friendly hello/goodbye rhythmic gesture… at least here in America. Knock this rhythm on your friend’s door to signal it is you. Often done in a call and answer way, where the “caller” will do