A True Country & Western Classic, with a classic double stop fiddle solo played by Paul Warren. From Wikipedia, the free encyclopedia: “It Wasn’t God Who Made Honky Tonk Angels” is a 1952 country song written by J. D. “Jay” Miller, and originally recorded by Kitty Wells. It was an
Archive | By Ear
Learning by ear
Tennessee Waltz – classic hit from 1950
By fiddlejamman on December 16, 2013 in By Ear, By Knowledge, By Sight, Cornerstone Styles, Country, Country & Western, Fiddle Tunes, Fiddler’s Tab, Folk Fiddle, G major, Jamming 102, Lesson List, Major Scale, Music Mechanics, Note Name – Finger Number, One-Room-School-House ORSH, Staff Notation, Style Studies
This tune has been recorded 1000’s of times by countless artists. I arranged it in the fiddle friendly key of G here. Patti Page’s 1950 hit was in the key of F. Here’s the chart & audio play-along tracks… This tune has been recorded 1000’s of times by countless artists.
No Exit Strategy – Conflation CD Lesson
By fiddlejamman on December 11, 2013 in Artist Level, Blues Scale, By Ear, By Feeling, By Knowledge, Dorian Mode, G minor, Jamming 102, Lesson List, Music Mechanics, One-Room-School-House ORSH, Pop
Fun stuff! Opening cut off my “Conflation” Translucent Records CD. Standard A440 tuning. All G minor… G Dorian to be exact, though I threw in a few G blues scale notes here and there too. Simple melody (see Chart below) is loosely improvised throughout the song. Ad lib as you
Second Octave Intervals – 9ths, 11ths &13ths
By fiddlejamman on November 20, 2013 in Artist Level, By Ear, By Feeling, By Knowledge, jamming 103, Jazz, Lesson List, Music Mechanics, One-Room-School-House ORSH
Knowledge of second octave intervals comes into play quite a bit in Jazz chording. What are they?… Remember, chords, in general are built using every OTHER note of a scale… so, with this idea we’d use 1 – 3 – 5 – 7 – THEN continue on to 9, 11,
Taking Musical Dictation – our highest art form
By fiddlejamman on November 16, 2013 in Artist Level, By Ear, By Feeling, Gigger Level, Jammer Level, Jamming 101, Jamming 102, jamming 103, Lesson List, Music Essentials, Music Philosophy, Wit & Wisdom
“As improvisers, our highest art form is to be simply taking dictation from the muses.” Concept: Where our musical ideas come from, no one knows for sure. There are many theories. It could be that we are tapping into the collective consciousness of all musical ideas ever thought, or maybe
Cheater’s instant back-up tater-ing – how to
By fiddlejamman on November 14, 2013 in “Tater”, By Ear, By Feeling, By Knowledge, By Sight, Jammer Level, Jamming 101, Lesson List, Music Essentials, Music Mechanics, Music Mechanics – “Bass” Lines, Music Philosophy, One-Room-School-House ORSH, Wit & Wisdom
Story: You show up at your first Pot Luck Pickin’ Party with your fiddle in hand, maybe you’ve practiced a few tunes and are eager to try them out with some other real life, flesh and blood musicians. You’ve even brought a nice plate of your best brownies in hopes
Fiddle Jam – preparation – what you’ll need to know
By fiddlejamman on November 14, 2013 in A major, Beyond the Book, By Ear, By Feeling, By Knowledge, By Sight, D major, Fiddle Jam, Fiddler’s Tab, G major, Jammer Level, Jamming 101, Lesson List, Major Scale, Music Mechanics, Note Name – Finger Number, One-Room-School-House ORSH, Staff Notation
OK, here’s a quick overview of what you will need to know first in order to be prepared to get the most out of the Fiddle Jam Book (and Beyond!) materials… No worries, it’s pretty simple stuff, that most students learn within the first few months (or less!) of playing!