Archive | By Ear

Learning by ear

Bone Bossa by G. F. Perry

Here’s a tune in the Bossa Nova style that Babik played live for a short time.  I was thinking of Trombone in the intro when I wrote it… hence the title.  Play the intro double stops near the frog with a down up up bowing pattern. Improv: There are not

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It’s Time to Go jazz tune by G. F. Perry

In the Jazz style.  Alternates from straight 8th Latin/Bossa-based feel in the A sections to swing in the B section.  Ensemble-oriented intro can have improv over it (see my demo below).  The melody is fairly simple, but improv will be more advanced on this one, as there is no one

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Boozoo – traditional cajun/zydeco tune

Boozoo – traditional cajun/zydeco tune.  Key of G.  Presented in three separate parts here.  Melody, Back-up tater-ing, and bass line.  The bass line would normally be played by an actual bass instrument, but I include it for your study here.  Find two other friends to play the other parts for

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Creative Ability Development (C.A.D.) book report

The book that kick-started this teaching-folks-how-to-jam-stuff for me: Creative Ability Development (C.A.D.) by Alice Kay Kanack.  Review & report below. Alice was a friend of my sister’s.  They both went to the world famous Eastman School of Music together.  Alice’s family also owns a prestigious violin shop in the Rochester,

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12 Bar Blues Phrasing Lessons

Description: a “Gigger” level 102 lesson… I’ve found this one especially helpful for students who have jammed for a bit and are in need of deepening their listening skills, or developing “Big Ears” as it is sometimes called in the biz. Awareness of the overall flow and movement of the

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THE lick?

I thought all of you would get a kick out of this.  It is not the only lick that could be considered “THE” lick, but is obviously very popular in Jazz!  Enjoy. Non-members: Want to learn more about this? Click here for more info on our free Fiddle Jam Club

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Stormy Monday Blues by T-Bone Walker

Stormy Monday by T-Bone Walker Here’s a classic slow blues tune, that has become a “standard” for Blues bands around the world, written by T-Bone Walker in 1947 and covered by Eric Clapton, BB King, and countless others, the most famous of which is probably the Allman Brother’s Band on

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