Classic Jazz tune from 1925 that is covered in all kinds of jazz settings from ragtime to modern jazz & lounge groups. I will especially focus on this song in the Gypsy Jazz style. Here’s the melody and chord chart to get us started. There have been many, many interpretations
Archive | By Knowledge
Learning by first understanding.
Fiddler’s Tab
”Fiddler’s Tab” (FT) is a notation system for violinists that is popular with non-staff reading fiddler’s and often used by teachers with their beginning students. I think I myself was taught this system for the first couple of months of my playing back when I was 9 years old. Simple
G Jam
Here’s a new jam lesson I put together after the Fiddle Jam Book came out. Enjoy. G Jam performance video: check out what can be done with this track! Want to learn how to jam like this? Click here for more info on our free Fiddle Jam Club membership and
It Don’t Mean a Thing (if it ain’t got that swing)
Famous song, written in 1931 by Duke Ellington (music) and Irving Mills (lyrics). Recorded by too many to mention here. Often played in the gypsy jazz style. Sounds fun and easy with it’s “do wop” sing-along anthem, but can actually be rather difficult to solo over. I’ll attempt, in typical
Gypsy Jazz – Section
Gypsy Jazz is a style of music that was first developed in the Paris, France area by gypsy guitarist Django Reinhardt and his side-kick violinist Stephane Grappelli in the 1930’s and 40’s. Gypsy Jazz, sometimes called “Hot Club” music after Django & Stephane’s original group “The Quintet of the Hot
Gypsy Sound – Anatomy
The anatomy of the gypsy sound is characterized by the Harmonic Minor Scale. Classically trained violinists will probably already know this scale well, but if you are a fiddler, or just used to jamming to rock and blues based music, as I myself was at one time, then this
Harmonic Squeal Faux Feedback Technique
If you have been alive on this planet, anytime in the last 50 years or so, for sure, somewhere, you have heard an iconic wailing electric guitar hold out a long sustained note that breaks into a high squealing sound as the guitarist masterfully moves closer to the amplifier and