Chapter two from the original “Fiddle Jam, a way-cool easy way to learn how to improvise!” book/CD. <<::>> And now for the really cool stuff… I would’ve put this section first, but skipping fingers is sometimes a technical hang-up for those just starting out. Nevertheless, I find that students quickly
Archive | By Sight
Learning by watching others do.
Blues Scale Anatomy
Ok, so how do you figure out what notes give us that cool blues-y sound in any key? …it’s simple if you have the secret formula! …and know a bit about the note number system. Just a quick review if the note number system is something you are not
My Path Suggested Learning Studies
By member request, here’s some suggested learning”Paths” for you do some self-guided DIY-style FJi studying. These are not designed to be intensive or all-inclusive like our 4-week FJi Courses (currently being developed & to be sold separately in the FJi School Store), but should get you going on a learning
Get The Led Out Guitarist’s illuminated bow
I met “Get the Led Out” guitarist Paul Hammond while he was purchasing an extra bow at Guitar Center in Gainesville, Florida to use in their Led Zeppelin tribute show re-creating Jimmy Page’s famous bowing of the electric guitar. He invited me to their show at University of Florida’s Philips
Wish You Were Here – Pink Floyd classic, violin version
<<:NEW! CELLO version below for All Access Pass members! See below:>> Cryptic lyrics of the Rock classic. The band says they are about being in life in the moment. You be the judge (see below). Mostly G major pentatonic scale. Don’t get too worried about the exact rhythm of the
It Wasn’t God Who Made Honky Tonk Angels – Kitty Wells
A True Country & Western Classic, with a classic double stop fiddle solo played by Paul Warren. From Wikipedia, the free encyclopedia: “It Wasn’t God Who Made Honky Tonk Angels” is a 1952 country song written by J. D. “Jay” Miller, and originally recorded by Kitty Wells. It was an
Fake Books – what are they?
“Fake Books” are collections of minimal music notation charts for popular songs that give just enough information so that the players can “fake” or rather create on-the-spot parts for their instruments solely based on the notation symbols in the chart for that song. This might seem daunting to some at